Dark Enchantment

Bantam Dell Publishing Group
January 2004
ISBN 0-553-58421-9
buy the book: Amazon | Barnes & Noble

Nominated Best Fantasy Historical Romance, Romantic Times Book Club

While in France to petition King Louis XIV to aid the exiled King Charles, Sir John Marstone stumbles upon a street urchin in a fight for his life. After saving the boy, he quickly realizes that he is a she--and no mere homeless waif. Indeed, she is noblewoman Catherine de la Fer, and her family is offering a reward for her safe return, a reward that would surely help in his cause.

But otherworldly acts and creatures haunt them on their way to her home, and love threatens to sway him from his duty to his king. The world of the de la Fer family continues to develop in this sequel to Night Fires, and just two books in, there are hints that this series may become a complex one of dark magic and faith reminiscent of a nineteenth-century gothic.

read an excerpt

book reviews

"Harbaugh is making an impressive entry into the historical paranormal field with this book and last month's Night Fires. The emotional power of her writing is equaled only by the originality of her story and the way her unique plotlines grip the reader. With characters that leap from the pages, the eternal battle between good and evil takes on a new slant and places Harbaugh alongside such paranormal phenoms as Tracy Forbes, Christine Feehan and Susan Krinard." --Romantic Times Book Club, 4 1/2 stars, Top Pick

"...a strong paranormal romance that hooks the audience because the otherworldly environs seems so real in the author's mid seventeenth century Europe...enchants her audience with a dark tale lightened by the goodness of love. Harriet Klausner at Paranormal Romance Reviews

"...a spellbinding novel...heartbreaking romance...a truly heroic heroine...Jack is a man of honor and duty...a winner on every level... Romance Reviews Today

"...easy to slip comfortably into the 17th century and [Harbaugh] brings that world to life immediately. The characters are very likable, the plot interesting ...and the passion incendiary. I liked it a lot and will definitely read her next novel. A very good read!" The Best Reviews

"Dark Enchantment gives us another wonderful glimpse into France before the revolution...With the detail that has come to mark all of her books, Karen Harbaugh has written another intriguing tale. I hope to see more books about the unusually gifted de la Fer family." A Romance Review site

"...a half-baked tale...utter scarcity of canon...lack of richness in detail and atmosphere...characters' tedious sense of honor and duty... ridiculous and pathetic...total humorless bore...What a waste." Mrs Giggles

"A wonderful combination of effortless style, intriguing story, strong characters and appealing romance, Dark Enchantment is a gem....Harbaugh does so much right with this book." The Romance Reader

Karen's comments:

December 16, 2004: Very cool news! I was just informed that Romantic Times Book Club has nominated Dark Enchantment for best fantasy historical romance! I am very thrilled! Now this is a nice, nice Christmas present. :-)

November 23, 2003: Well! Here I was thinking that Dark Enchantment wasn't quite up to par with Night Fires, but then I get a 4 1/2 star review from Romantic Times, which also designated the book a Top Pick for January.

I guess it just goes to show what I know about my books. Nada. But hey, I'm grateful for good reviews!

September 27, 2003: Well. I finally figured out what the book's really about: Buffy meets the Three Musketeers. I was reading along and realized that in one of the chapters, Catherine, the heroine, cuts off a demon's head, and it dawned on me: strong woman with power, a force for good, has a mentor, kills off bad guys. What can I say? Buffy Rules!

May 15, 2003: Good heavens. I'm striking gold where covers are concerned. My editor just sent me this cover for my next book, Dark Enchantment. I adored the cover for Night Fires, and hoped that my next one would be just as good, and lo and behold, it is. Similar style, different color, but wow! I LIKE the guy on the front of the cover--he is EXACTLY how I envisioned Sir Jack Marstone, mercenary and loyal subject of the exiled King Charles II.

Luck is going my way for sure where books are concerned. Being cautious, when my editor asked for the next book in my contract, I sent her something a bit more tame, more "marketable." She didn't want it. I sent another "marketable" book. Didn't want that, either. So I threw up my hands and send her the really bizarre one, the one I thought was too far out. The one with Catherine de la Fer (yes, she's related to Simone de la Fer in Night Fires--an ancestor, in fact) the swordswoman heroine who has stigmata. I guess you could say the story's sort of...oh, a mix of The Three Musketeers and the movie, Stigmata. Or maybe the TV show, Miracles, except with sword fighters.

She wanted that one, go figure.

So let's just say that I don't believe it when people say you can't do this or that in romance (other than having the hero and heroine together at the end of the book). It just isn't so. I keep sending out these manuscripts that are supposed to be unmarketable, don't fit the genre or subgenre, but you know, publishers buy them.

I'll update this page when I get more information about the book's publication date. Any questions about the book? Just ask me. --KEH

Dark Enchantment excerpt

Paris, Winter, 1659.

She was a creature of mud and dirt, and though from time to time light glinted in her corner of the alley, she did not see it directly. Sometimes, the light would catch the edge of her blade and it would startle her, stirring a faint memory. It would stir something around her heart. But it hurt, this remembering, and she would push it away in to a dark part of her mind.

Instead, she scrabbled for what food she could take from the rats when she could not find a dropped coin, and tried to avoid notice. Occasionally, she received kicks from passersby if she strayed too far from her corner, but the pain from this was only slight, nothing compared to the pain she felt when she saw pain in others. So, she closed her eyes and tried to sleep when she was not searching for food.

She did not know what day it was, only that light and darkness passed one after another, and that it was very cold. When it became too cold, she was forced from her corner in her alley to the church, where she could sit in a far corner of the sanctuary and look at the light of the candles when she was sure no one was looking. This was more comfortable than in her alley, to be sure, and sometimes she would find a piece of bread that someone must have dropped on their way to confession. And . . . it eased the pain in her heart to be there, and she did not bleed from her hands and her back did not ache when she slept underneath one of the pews. But a church was not for one such as herself.

It was on one such cold morning that she awoke to the sound of the priest yawning and opening the sanctuary. She stayed still underneath the pew until she was sure the priest had passed by, and she crept--she thought--noiselessly out the door.

"You, boy, stop!"

She looked wildly about her and stared for a moment at the plump, black-frocked priest who had called to her. He looked surprised, then shook his head.

“Are you the one who has been sleeping here at night?”

Fear clutched her heart, stopping her voice, but she nodded slightly. “I am sorry, mon Père,” she managed to whisper after a while. “I will not do so again.” She looked away, fear seizing her again, but this time the fear gave her legs motion and she ran.


She would not wait. She knew what waiting would do. Waiting led to a place where she had no way to escape except through more pain. She ran to the alley that was her home, her sheathed blade tapping against her hip, hoping that no one had claimed her corner.

But just as the street she followed turned into her alley, she stopped abruptly. Tears began to build beneath her eyelids and she drew in a deep, harsh breath as she looked at the scene before her: a young girl sobbed while a man hit her across her face and another man pushed up her skirts.

Pain sliced across her back, making her gasp, and her hands prickled with the first flow of blood from them. She pulled out two strips of cloth from her pockets and tied them around her shaking hands. She slowly, carefully pulled out her sword while rage built underneath her ribs, rapidly pulling the air into her lungs.

It was the only way. The only way to stop the blood, the pain, and the rage.

She ran to the girl and to the men, snarling in her anger and at the almost blinding pain that surged across her back. It was the sound of fury, the sound of a cornered animal. The men turned, and she lashed at them with her sword.

“Get away from her.” Her voice was a growl. “Get away, or I will kill you.” She could feel the cloth at the palms of her hands dampen with blood, and pain grew there as well.

“Stupid boy. Go away--unless you want some, too.” One man sneered and the other turned back to the girl and thrust his hand underneath her skirt. The girl screamed.

The scream lashed at her, and she jerked as if whipped. She gripped her sword tighter, then her hand lifted and the blade’s tip scored the back of the first man’s neck. His scream lessened the pain in her hands and he released the girl, putting his hand to his neck and then looking with disbelief at the blood on his fingers. The girl ran, screaming and weeping, as the taller man tried to hold her by her apron skirts, but her apron came off in his hand. His sneer grew into a frown, and he rushed with a knife at her, who had spoiled his sport.

Her blade sliced at his hand and knocked the knife from it. He cried out, and the pain on her back began to fade. She almost let down her guard in relief, but the other man came for her as well, more cautiously. He, too, had a knife.

“Jesu, Marie,” she whispered. She had not ever taken on two men before. She had the advantage of a rapier that was longer than their crude knives, but her pain slowed her, and she knew if she were not swift enough, the strength of these large men would overcome her. She hoped her skill would be enough, as little as it was.

The second man circled her, and she could see he was trying to maneuver her so that her back was to his friend. If she could keep both of them in sight--

She turned the other way, but it did no good; both men had their knives in their hands now, and she was not sure she could deal with both of them. At least her back was to the street, not the alley. It would be possible to run if she needed to, cowardly though it was.

The thought of the two men raping another girl made her stomach turn, and the pain across her back increased. No. No, she could not let these men go free.

The men lunged as one at her, and she had no choice. She ducked under the arm of one, and thrust her rapier, clumsily, at the other. A roar from the man on whom she’d used her sword told her that she had cut him. She glanced quickly at him to see that he was clutching his stomach, his clothes showing a spreading blotch of blood. Good.

She turned to the other. This man still had his dagger, and now had a large stick in his other hand. She bit back a groan--the rapier was heavy, and she had not the rage-induced strength she had long ago before she--before she. . . She shook her head, trying to dispel the mist over her memory...in the beginning of this fight.

She raised her rapier again, flexing her knees as she remembered she should, put her other hand behind her back to reduce fatigue, and wished she had learned to fight with a dagger, two-handed.

“Come, cochon, you pig,” she called out. “You can fight me now or later, but either way you will die. Make it quick, so you will not bleed slowly to death like your friend.” She jerked her chin toward the other man who groaned and vomited blood on the cobblestones.

The ruffian looked uncertain, but only for a moment before he, too, rushed at her. She was not so quick this time, and his dagger sliced her arm before she had a chance to move to defend herself. Fatigue washed over her, and she was glad her hands had stopped their bleeding and that the pain in her back had faded with the dispatching of the first man. This remaining man was wily, and stronger than the other . . . and what was worse, looked more well-fed than she. Hunger gripped her stomach at the thought, and her knees trembled.

Relief showed in the man’s eyes--he had seen her trembling. He struck.

Again she put up her rapier in defense, and she whipped her blade at him--too slowly, for she barely escaped another cut of his knife. Blood dripped from her arm and sweat stung her eyes. At least it was not her hands that bled, or her back that stung now.

Her arm and legs ached, and the breath wheezed from her lungs. She could not stand much longer, she must fight with all the strength she had left. She swallowed down a sob, and made a desperate lunge. She missed and fell to her knees, her sword rattling on the street from her fatigue-numbed hand.

She would die now. It would be a blessed relief. She closed her eyes and waited.

And waited.

The killing thrust did not come, only the thud of a body hitting the ground. She opened her eyes to see a different man, cleaner, better dressed than the two she had fought, and frighteningly handsome. She looked blearily around her--the man she had fought was on the ground, a knife sticking out of his throat.

“Damned shoddy fighting,” he said. “Bravely done of you, boy, but shoddy.” He spoke French well, but she could hear an accent--English, she thought. “Not that my method was particularly elegant--a thrown dagger, you see.” He grinned suddenly. “Fine aim, though, if I do say so myself.”

He peered at her, then offered his hand. She could not seem to stand-her legs would not move. But she would not touch him. She sat, then willed herself to push up to her feet and take a step away from him.

The Englishman’s eyebrows rose, but he gave an elegant bow. “Sir John Marstone at your service.” He smiled at her, and his eyes were kind.

She closed her own eyes briefly. It was a long time since she had seen kindness. She remembered her mother had been so before that good lady had died, and had been gentle in her words and her touch. Remembering the kindness made her remember something else as well.

“I… merci, monsieur,” she said, and sank into as much of a precise curtsy as she could, though she knew it would never do for a formal curtsy at the King’s court. But this was not the court, or even her… home. The Englishman’s brows rose higher. “My name… my name--” A sob escaped her. “My name is Catherine de la Fer.” Pain, old shame, fatigue, and hunger sliced through her, and her sight grew black. “Dieu me sauve, my name is Catherine de la Fer,” she whispered, and fell into darkness.