Writing for Adults

The Fall of the Kings

Ellen Kushner and Delia Sherman, Bantam Books, 2002

Description:

Theron Campion, an aristocratic student, is drawn into a controversy about the nature of the ancient kings and the northern wizards. Basil St. Cloud is at the center of this dispute and as his relationship with Campion deepens, he finds that his historical findings have modern, highly political implications. As all scholars know, the kings were corrupt and their wizards were simply charlatans, but St. Cloud has discovered an ancient source that promises something altogether different. However, the Council of Lords becomes aware that the northern-most parts of the country are murmuring for a return to monarchy and, suspecting the University as a source for the discontent, they send a spy to ferret out information. St. Cloud and his students become the focal point for an explosive denouement that is as tragic as it is inevitable.

Reviews:

From School Library Journal
Adult/High School—A return to the marvelously complicated world of witty court intrigue and deadly University scandal last seen in Swordspoint (Tor, 1994). Kings stands on its own in all its intricate, fascinating glory… Kushner and Sherman inject plenty of humor and bawdiness into their tale, providing grounding for some of the abstruse historical debates. This is high fantasy at its best—literate, passionate, and compelling.
—© 2003 Reed Business Information, Inc.

From Library Journal
Kushner and coauthor Sherman (Through a Brazen Mirror) craft a sensual and evocative tale that should appeal to fans of Tanith Lee and Storm Constantine. Highly recommended for readers of mature fantasy.
—© 2002 Reed Business Information, Inc.

From Booklist
Literate, absorbing, and with bite to it, the book shows that Kushner and Sherman together are quite up to the standards of either on her own.
—Roland Green, © American Library Association.

“Immensely appealing, intelligent, and great fun.”
Kirkus Reviews

“The authors tap into fantasy’s genuine source of drama, its ability to haunt, appall, transform.”
Locus

“Embraces the age-old struggle between scholars and mystics… to bridge the gulf that separates history from mystery.”
Fantasy & Science Fiction

“One of the bawdiest and most intellectually stimulating novels of the year!”
BookPage

“Richly textured… authentic… A fantasy novel that won’t insult your intelligence.”
Science Fiction Chronicle

 

cover image of The Fall of Kings

“Gorgeous prose and a galloping story, with… a deep understanding of a true scholar’s passion for his subject.”
Mary Doria Russell, author of The Sparrow

“Stunning… If Oscar Wilde were writing high fantasy, he’d want to write The Fall of the Kings.”
Sarah Smith, author of A Citizen of the Country

“Attractive characters, realistically enmeshed in social, political, and personal concerns… realized with a robust depth and realism.”
Suzy McKee Charnas, author of The Vampire Tapestries

“Kushner and Sherman don’t spin fables or knit fancies: they are world-forgers, working in a language of iron and air.”
Gregory Maguire, author of Wicked and Lost

The Fall of the Kings is, if possible, even better [than Swordspoint]— twistier and deeper.”
Neil Gaiman, author of American Gods

“Splendid… one of my favorite books this year!”
Charles de Lint, author of The Onion Girl

“This is how fantasy should be written!… sweeps you in and lets you live the story with the characters.”
Lynn Flewelling, author of The Bone Doll’s Twin

“A delicious read… dark, sexy, and wickedly funny by turns. I loved it. You’ll love it too.”
Terri Windling, editor of The Year’s Best Fantasy and Horror


The Porcelain Dove

Dutton, 1993; Plume, 1994
Mythopoeic Award winner, 1994

Description:

Eighteenth-century France is the setting—a time and place where age-old superstitions shadow an age of enlightenment, where the minuet of aristocratic life is deaf to the approaching drumbeats of revolution, where elegance masks depravity and licentiousness makes a mockery of love. Against this background, Berthe Duvet, maid to Adele du Fourchet, later mme la duchesse de Malvoeux, tells her tale of a doomed society and of a family seeking to break a terrible curse. Vivid in its re-creation of a vanished age and delightfully iconoclastic in its view of women and history, The Porcelain Dove is a triumph of the imagination.

Reviews:

From Publishers Weekly
Fantastic in every sense of the word, Sherman’s (Through a Brazen Mirror) second novel is a skillfully crafted fairy tale that owes as much to E.T.A. Hoffman as to Charles Perrault…The Porcelain Dove is no dainty vertu but a seductive, sinister bird with razored feathers. BOMC alternate.
—© 1993 Reed Business Information, Inc.

From Library Journal
A mixture of fantasy and historical fiction, this work traces the fortunes of the ducs de Malvoeux during the last days of the ancien regime and the beginnings of the French Revolution. Narrated by the duchesses’ devoted maid, it is both a careful portrait of those brutal times and the tale of an ancient curse and a magical quest.… Of interest to devotees of French history or literature. BOMC selection.
—Cynthia Johnson, © 1993 Reed Business Information, Inc.

From Kirkus Reviews
Combining history, fairy tale, and period literary fashions, Sherman (the paperback Through a Brazen Mirror) offers a sprawling 18th-century epic,… [a] dazzling display of period detail, and a slew of authentic-seeming characters…
—©1993, Kirkus Associates, LP. All rights reserved.

cover for The Porcelain Dove

Through a Brazen Mirror

Dutton, 1993; Plume, 1994

Description:

In a medieval kingdom both like and unlike 13th C. England, a mysterious young man appears at the door of the palace kitchen, seeing to serve the king. In a lonely stone tower, a woman watches the world through her mirror of bronze. The young king mourns the death of his friend in battle and and puts off choosing a bride. A child abandoned on a farmer’s doorstep grows up to be a powerful witch. The lives of these characters intersect and intertwine in strange and fateful ways as the young man rises from cook to steward to chamberlain and the king becomes more dependent upon him as the sorceress turns his country upside-down in her attempts to defy the fate her mirror has shown her.

Reviews:

From Publishers Weekly
When it first appeared in print in mass market in 1989, Sherman’s (The Porcelain Dove) debut novel, a queer fantasy, won a John W. Campbell Award nomination. No wonder: Sherman’s grasp of setting, language and human behavior snare the reader deeply into the story of a widowed woman’s search for peace and survival. The handsome king in this tale has a taste for the strapping young men around him. The gentle maiden is a woman in disguise and swoons over a quiet and romantically somber youth, who is, in fact, a woman in disguise. And the sorceress that bedevils the kingdom of Albia grows queasy at the thought of being touched by another man after her reluctant submission to the sorcerer who trained her. Is this a ribald escapade of explicit sex? Hardly. Sherman’s deft touch reveals her characters’ desires in a subtle yet unapologetic manner. She presents not the typical sword-and-sorcery fantasy, but a tale that takes a realistic—and captivating—look at medieval times.
—© 1999 Cahners Business Information, Inc.

cover for Through a Brazen Mirror

Stories in Anthologies

How the Pooka Came to New York City” (forthcoming)

Poe: 19 New Tales Inspired by Edgar Allan Poe, ed. Ellen Datlow, Solaris, 2009, “The Red Piano.”

Salon Fantastique: Fifteen Original Tales of Fantasy, ed. Datlow & Windling, Thunder’s Mouth Press, 2006, “La Fée Verte.”

Poe Anthology of 19 New TalesSalon Fantastique: Fifteen Original Tales of Fantasy

READ a Short Story

click here for “The Tragedy of King Alexander the Stag”

click here for “Nanny Peters and the Feathery Bride”