Chapter Ornament for The Moon and the Sun






Gary Halsey
81 Sterling Place #2
Brooklyn NY 11217-3304
Tel/Fax 718-398-7521





Since 1991, I have conducted a small business as a mural painter. This has involved collaboration with interior designers and art directors for architectural settings ranging from hotel and restaurant to residential interiors. Clients have included the Pierre Hotel, Club Tatou, & Copper Canyon Lodges, entailing landscape & some portraiture in large scale mural and in easel-sized paintings. I've also restored paintings and drawings in traditional media of unknown artists and decorative finishers, some extending as far back as the late 18th century. Set/prop work has included background scenes for several "Off-Off-Broadway" plays, mechanical scenics in conjunction with Den Studios for television, such as the CBS "Late Night with Conan O'Brien" show. I've illustrated various book covers, including (in addition to The Moon and the Sun), Jane Eyre, Steppenwolf, and Jonathan Levi's A Guide to the Perplexed.

I've also made illustrations and graphics for promoting various local productions in theatre, music, & modern dance. In 1989-1991, I began work as a mural painter for Modeworks, a company which, at the time, largely made signs, displays, and murals in the form of faux frescoes, and acrylic/oil replications of various old masterworks, such as Fragonard and Magritte, for use in the interiors of Express, Limited, Bendels, and other clothing stores.

After graduate work in 1982, I found mural and other painting work only periodically, necessitating work at many different jobs, mostly in building construction/interior renovation. For example, I designed and built the portable walls used in the 1982 Art Expo in Cincinnati, OH, and in 1984, did the renovations for the studios of Rockshots, Inc., a greeting card company in NYC. Between 1986 and 1989, I worked in high-end interior renovation as a finish carpenter & as a site foreman for a NY construction company. In 1985-1986, I lived in London, England, supporting myself with working in illustration, decorative painting, or in carpentry, often working with Irish construction crews. Periodically making sorties from London to continental Europe, I explored cities, such as Antwerp, Paris, Barcelona, Lisbon, their cultures, and the artworks of painters and architects which I'd previously admired only in books or studies in a rather disembodied way during my years at university.

I received a BFA in painting, magna cum laude, from Wright State University in 1977, attended the Arts Students League in 1978-1979, studying drawing and anatomy under Robert B. Hale, and using two full scholarships and a teaching assistantship, I received an MFA from the University of Cincinnati, in 1982. From 1970-1974, I was enlisted in the US Air Force, attaining Sgt. grade, and master technician status as an electro-mechanical systems and team training instructor in Minuteman ICBM technical support and maintenance. Although I had a casual interest in art during early youth, it was during my stint at Malmstrom AFB in Great Falls, Montana, when I saw the paintings of C.M. Russell, F. Remington, and other "western" artists, that I first attempted to make a painting, the act of which offered me a future not of repairing bombs, but of a craft with a much friendlier posterity. Between honorable discharge from the military and entry into graduate art school, I found various positions as artist-in-residence, and freelance artwork in the Dayton-Cincinnati area which involved local communities in arts projects, especially murals and sets for musical and theatrical events.




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