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I'm a writer, as you've probably already figured out if you're this far into the page. Here are some samples of my work: first chapters, stories or story fragments, and whatever else I decide is worthy of such august company.
Something to be aware of: everything I currently have on this page is quite old, and will probably never be published in exactly its current form. I thought it was all brilliant when I wrote it some years ago; now I think it's merely okay, and the stuff I'm writing now is brilliant. In a few years ... This is a common problem.
But I do believe they're good stories, and deserve to be told. Someday, they'll be told better than they are now. And there's more to come. Count on it.
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The Killing Jar took me longer to complete than any other novel I've ever written -- I started it in 1989 and finished the final version in 1994 -- and in some ways it's still an evolving story. This is what happens when you base a novel on personal events. It's worth it, but it takes a while reshaping your life to fictional ends. Sometimes the results surprise you.
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Codes started as a reaction to the bad sub-Frankenstein genetic engineering thrillers that came out a while back. Remember those? Tons of 'em, all sloppily retelling the theme of There Are Things Man Was Not Meant To Know. Forget it: Shelley did it best. And genetics holds out more promise than perhaps any other science in history ... The scientists are the good guys. Really.
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The Unquiet Fields, OTOH, is designed from the beginning to be Really, Really Big in scope. Alternate history starts with a "what-if;" in this case, it's "what if the Civil War hadn't happened until right now?" Yes, yes, the Civil War is one of the two most over-written wars in history, real or alternate. I like to think this is a fresh approach.
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Shadow City (working title) is one of my current, though dormant, projects. It's a departure for me, writing in a strict fantasy format -- even though the novel isn't really fantasy at all. (It's science fiction, I think. But it feels like fantasy.) Comments on all of the pieces here are welcome, but I'm particularly eager to hear what people think of this one.
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