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For this story, I was basically trying to create a myth about trees, using the forest right next to our neighborhood as the setting.

Interestingly, it turned out to be the second story I wrote in 2005 with a gay protagonist (the other was "This Divided Land"). This one I pretty much wrote in a day or two, for the So Fey anthology. But I'd been hashing it out in my head for a few weeks ahead of time, so it came out pretty nicely in the first draft.

Huge thanks to Steve Berman for taking a look at it, and for his excellent suggestions, all of which I tried my best to incorporate. And thanks to E. Sedia for her comments on the revised version, which helped me get it into shape for the Aeon editors. And the Aeon editor
s had some more great comments (and they found a great illustration as well).

"The Brotherhood of Trees" was first published in the electronic magazine Aeon 6, in February 2006. It was listed as an Honorable Mention story in the Year's Best Science Fiction anthology, volume 24. The story is also available for adding to a print-on-demand anthology at AnthologyBuilder.



The Brotherhood of Trees

Every morning that winter, just as the black night began to melt into the first red fingers of day, I went running in the forest behind our house. Fred was still snoring and twitching in his light, carpal-tunnel-induced sleep, and his eyes would be red when he woke after too much dreaming about line after line of code. Me, I'd be refreshed and sharp and focused, thanks to my new routine of jogging with the hounds.

We'd never wanted kids, Fred and me, not back in the days when our love was still athletic and young. So we got dogs instead. Not a bad tradeoff, in hindsight, due to how hard Fred worked and the long hours I'd started to keep myself after fifteen years at the firm. We loved our nieces and nephews, and we ignored the awkward moments as the kids adjusted to having two uncles living together in one house.

We always got the dogs in pairs -- first we had greyhounds (former racers, docile and loyal), then lap dogs (Fred's choice, not mine), and even mutts (from the pound, always grateful and at our heels).

But these two, Boris and Cloris, were something else. They were beagles. Forget lethargic Snoopy lounging on top of his doghouse. When I took these two running through the frozen woods behind our house, it was all I could do to keep them from pulling my arms out of their sockets, one leashed, furry ball of energy per arm. They tore up and down the trails, baying louder than all of our previous dogs together could've mustered. God help me if they saw a squirrel or caught scent of a deer.

Boris was light brown and white, while Cloris was dark brown and spotted, and they were the ones who first saw the young boy standing next to the cave half a mile from the house I shared with Fred.

When they saw him, they didn't bark like they usually did -- all throaty yowl and frenetic gasping for air. They simply turned toward him the same time, hard, tripping me in mid-stride, and then they padded off the trail up to the pale, shirtless boy.

"You okay, son?" I asked as I clambered up the incline toward him. I was gasping for breath, sucking the frigid air into my aching lungs, and it wasn't just from my previous ten minutes of running. The young man was beautiful: porcelain skin, jet-black hair falling over heavy-lidded, light-blue eyes. His perfection was marred only by what looked like dried blood on the tips of his slender fingers.

Illustration for 'The Brotherhood of Trees' by Bridget McKenna
(art by Bridget McKenna)




Continued...

 

First published in:





What the critics said:

"This issue of Aeon really picks up with 'The Brotherhood of Trees' by Michael Jasper. This is a smoothly-flowing piece, with an excellent feel and some great descriptive prose. An aging man finds a naked boy in the woods, a silent spectre that seems to do nothing but listen. Where is this androgynous creature from, and why are his fingers singed? The protagonist and his partner are depicted with compassion and pathos, and not the over-the-top camp behavior many other authors use to depict gay characters. This, coupled with the neat backstory and polished prose, makes this a tale worth reading."
—Jason Fischer, Tangent Online