| Since this is an educational book there are no
reviews available. The table of contents is presented in it's place. | TABLE OF
CONTENTS PROLOGUE: WHO ARE THESE PEOPLE AND WHO NEEDS THEM? PART I: CREATING STRONG AND BELIEVABLE CHARACTERS: THE EXTERNALS
CHAPTER ONE: BEAUTY AND/OR THE BEAST Choosing Descriptive Details CHAPTER TWO: WHAT'S IN A
NAME? Using Monikers to Convey Character CHAPTER THREE: ZIP CODE, PLEASE The Role of Setting in Creating
Character CHAPTER FOUR: WHAT DID YOU SAY YOU DO? Using the World of Work to Enhance Characterization CHAPTER
FIVE: SAY WHAT? Characterizing Through Dialogue CHAPTER SIX: THE ARTFUL DECEPTION Making Dialogue Read Naturally (Even
Though It's Not Natural) CHAPTER SEVEN: WHEN LESS IS MORE Pruning Character Descriptors To a Manageable Number CHAPTER
EIGHT: DON'T I KNOW YOU? Basing Characters on Real People PART II: CREATING STRONG AND BELIEVABLE CHARACTERS: THE INTERNALS CHAPTER NINE: SHE'S GOT AN ATTITUDE Using Inner Reflections to
Characterize CHAPTER TEN: LOST IN THOUGHT Making Clear What, When, and How Your Character Is Thinking CHAPTER ELEVEN: THE PYGMALION TRAP How to Not Let Your Assumptions Torpedo
Characterization CHAPTER TWELVE: AIRY DREAMS AND SOLID NEWS How to Use Dreams and Newscasts to Build Characterization CHAPTER THIRTEEN: THE BAD GUYS How to Make Your Villains Both Compelling and
Plot-Useful CHAPTER FOURTEEN: DO I WANT TO KNOW YOU? How to Create an Unsympathetic Protagonist Without Driving Your Readers Away CHAPTER FIFTEEN: THE INTELLIGENCE
DOSSIER A Wrap-Up System for Investigating Your Character PART III: CHARACTER AND PLOT CHAPTER SIXTEEN:
THE YELLOW BRICK ROAD How to Start Anywhere and Arrive At Plot
CHAPTER SEVENTEEN: FIGHT! FIGHT! FIGHT! Plot, Character, and Violence CHAPTER EIGHTEEN: WHOSE STORY
IS IT, ANYWAY? How Point of View Begins With Character and Leads to Plot
CHAPTER NINETEEN: ALSO FEATURING... Secondary Characters and Plot Construction CHAPTER TWENTY:
THE CHARACTERS, THEY ARE A-CHANGING How to Make Character Change a Believable Part of Plot
CHAPTER TWENTY-ONE: SEEING IS BELIEVING A Concrete Example of How Character, Change, and Plot Intertwine CHAPTER TWENTY-TWO: "BUT IT REALLY HAPPENED!" Basing Plots on Real-life Events
CHAPTER TWENTY-THREE: ARCHETYPAL ATTRACTIONS Using Rich Old Plots In Rich New Ways CHAPTER TWENTY-FOUR: I
SEE A PATTERN EMERGING The Connections Among Characters, Plot, and Theme
CHAPTER TWENTY-FIVE: THE CHARACTERS AND THE WRITER |