Death Storm
Anne Knight
DAW, 455 pages
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Though it contains a few science fictional elements (well, okay, one: recombinant DNA), Anne Knight's novel
Death Storm is basically a paranormal thriller, of the type made popular by Stephen King and Dean Koontz.
In the USA, Victoria Hansen and her son Drew live a precarious existence, always at the mercy of Lou, Victoria's
abusive husband. Drew isn't Lou's son, but the product of a brief and blissful love affair while Victoria was still
in her teens. In most ways, Drew is a normal American teenager, with a love of the Internet and a gift for sports.
But in one sense he isn't normal at all. Drew possesses a mysterious Power he is only just beginning to understand:
to draw storms, to control them and focus their fury.
In post-Soviet Russia, Irina Doraskaya is a possession as valuable as gold to the gangsters who have kidnapped
her. The product of a Soviet program to breed telekinetic psychics, she has all Drew's Power and more, including
the ability to kill a person from within. She has been brought up to be cold, emotionless: only this way, her creators
believe, can she be effective in the terrible things they want her to do. But Irina does have feelings: she's lonely.
First on the Internet, then in dreams, she makes contact with Drew, drawn to him by the Power they both possess.
Irina is being hunted--by Arkady Valnikov, himself a graduate of the Soviets' paranormal research programs. When
Irina's gangster keepers bring her to America, as part of a plot to sabotage an important economic conference,
Arkady follows. Meanwhile, Drew and Victoria have embarked on their own odyssey, fleeing from Lou's brutality.
Inexorably, all these individual quests converge, while a huge death-storm builds above California.
Death Storm starts promisingly, with evocative scene-setting and some good characterization. Drew and Irina
are appealing protagonists; Drew's anger and confusion, rooted in a basic wholesomeness, are nicely conveyed, as
is the loneliness of Irina's bleak existence and the pain she feels as she is mistreated by her caretakers. The
description of the teens' Powers is effective, especially Irina's ability to do physical harm, which for her is
a way of defending herself against a hostile and exploitive world.
But as the plot gathers steam, it also loses coherence. Some things are never properly explained--such as exactly
why Drew's new friend Sylvia and her colleagues, who seem to be part of an organization of some sort (it's hard
to tell), are so knowledgeable about psychic powers. The scientific stuff at the bottom of it all (recombinant
DNA, remember?) is dealt with in a few paragraphs of authorial handwaving, which add more confusion than they resolve.
By the time all the different factions finally collide, it's difficult to tell who is doing what and why. Two-dimensional
secondary characters, an unlikely romance, and a contrived plot twist at the end don't help matters, nor does some
occasionally silly writing: for instance, Russian characters whose speech is rendered in perfect English, but who
say "da" and "nyet".
My advice: stick to Koontz.
Copyright © 1999 Victoria Strauss
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