Son of the Shadows
Juliet Marillier
Tor, 462 pages
Order this book
Australian author Juliet Marillier continues her popular Sevenwaters trilogy in this second volume.
Sorcha (who in the first installment, Daughter of the Forest, courageously
undid the evil enchantment that turned her six brothers into swans), has returned home to Erin with her husband,
Briton Hugh of Harrowfield. Together they've become stewards of Sorcha's ancestral estate of Sevenwaters, with
its magical forest and strong ties to the old, druidic faith. They've been blessed with happiness, prosperity,
and three children: beautiful, willful Niamh; strong, capable Sean; and Sean's twin, Liadan, who follows in her
mother's footsteps as a healer, and also has her mother's gift of Sight.
But this time of peace can't last. There's a fated relationship between Sevenwaters and the capricious Fair Folk,
with whose mysterious, far-reaching schemes Sevenwaters and its people are inextricably entwined. And the old evil
that ensnared Sorcha and her brothers isn't gone, but only waiting. Now all those forces are stirring to life again.
Niamh succumbs to a forbidden passion, and is disastrously banished into a loveless marriage. Death and misfortune
force Sean to take up the leadership of Sevenwaters before he is ready. And Liadan is kidnapped by a band of dangerous
mercenaries, and falls impossibly in love with their leader, a bitter, angry man with a painful secret in his past.
The son they conceive may be the hero of a prophecy that has long overshadowed Sevenwaters--or so the Fair Folk
claim. But Liadan also hears the voices of other, older powers, which tell her that she is somehow outside the
pattern that binds her family, and that the choices she makes may change everything.
Daughter of the Forest was an impressive debut, an involving, vividly-imagined tale of sacrifice and devotion,
only slightly flawed by an over-the-top villain. Many of the same strengths are apparent in Son of the Shadows.
Marillier is adept at creating sympathetic characters, and her depiction of the complex ties of family, which bring
great joy but can also generate great pain and misunderstanding, is nuanced and sensitive. She's an imaginative
writer, with an acute sense of the fearfully inhuman wonder of supernatural forces; there are moments of power
in Son of the Shadows, most notably in the latter portion of the book, where Liadan goes to the rescue of
Bran, her mercenary.
Unfortunately, despite these strong points, and some interesting new elements (those older powers, from which Sorcha's
family may be descended, and a somewhat different view of the Fair Folk, who in the previous novel were shown to
be capricious and callous, but now also appear, possibly, to be misguided), Son of the Shadows has a distinct
middle-of-the-trilogy feel. The story, while reasonably self-contained, is often too transparently a vehicle to
manipulate themes and characters into position for the final volume. Also, possibly because there's no legend this
time to give shape to the narrative, the plot tends to meander, especially in the middle section, which deals with
important and tragic events but doesn't, somehow, carry much tension (it's here, too, that the sense of plot manipulation
is strongest). And even within the book's romance format, the love story between Liadan and Bran is problematic--with
Bran's serious personal problems, it doesn't seem likely that he would fall in love with Liadan so quickly; and
the romantic glossing-over, late in the book, of Liadan's initial moral concerns about Bran's employment (basically,
killing for hire without conscience or compunction) feels like a copout.
I can't help wondering whether this book was a victim of the common editorial policy of purchasing a trilogy from
a first-time author on the basis of an initial volume, and then insisting that the subsequent books be produced
to tight deadlines, allowing too little time for polishing and rewriting. If so, it's a shame, for Marillier is
a talented writer, and capable (as she proved in Daughter of the Forest) of doing much better. Still, flaws
and all, it's a readable installment, which generates enough questions about what's to come for Sevenwaters that
even disappointed readers may be willing to follow the story into the final volume.
Copyright © 2001 Victoria Strauss
Top of Page
|
